Archive for November, 2009

Asia chooses right time to emerge as world’s main influence: intellectuals

Monday, November 30th, 2009

Asia chose the right time to emerge as the world’s main influence as developed countries are still affected by the impact of the global financial crisis, intellectuals from South Korea and Indonesia said here at the International Conference of Asia Philosophy on Tuesday.

“The global financial crisis was rooted from greed in the United States. Now, with Asian philosophy that is highly recognized, we will take part in contributing thought for the world’s peace and prosperity,” Choi Woo-Won, the president of Asian Philosophical Association told the press.

To recover from the crisis, he said, the world must cooperate to change from egoistic paradigm to a higher dimension of economy which is in Asian culture.

Din Syamsuddin, the chairman of Muhammadiyah, the second largest religious organization in Indonesia, said that the moment to conduct the event is very timely.

“It coincident with the rise of Asia, when China, India and Indonesia proved themselves as countries that could record positive economic growth when developed countries still suffer from the impact of the crisis,” said Din.

He said that Asia will be the epicenter of the world economic growth.

Indonesia will hold the International Conference of Asia Philosophy Association (ICAPA) on Nov. 4-6, in coordination with Turkey’s University of Faith, Jaedong Philosophical Association of Korea and Pacific Countries Social and Economic Solidarity Association (PASIAD) Indonesia.

The conference will be attended by about 150 participants from Indonesia, Turkey, South Korea, Kazakhstan, Mongolia, Egypt, Iran, India, Japan and Azerbaijan.

It will discuss social and economic issues in the region, namely Asian civilian society prospect, Asian community and alliance civilization, Asian community ageing, Asian dialog on social and economy, relationship and cooperation inter-Asia, among others.

Massacre survivors in urgent need of legal help

Friday, November 27th, 2009

The December 1937 incident that is known as the Rape of Nanking or Nanjing Massacre is, without doubt, a tragedy that will not be forgotten.

Looking back, Zhou Yufa, a survivor of the Japanese atrocities in Pukou County of Nanjing in East China’s Jiangsu Province, still feels horrified.

“It’s really terrible. Piles of corpses were lying around me,” he remembers.

The then 16-year-old Zhou and his parents managed to escape from their hometown, before the Japanese army invaded the city on December 13.

However, when he snuck back three days later, he found his house had been reduced to ashes.

“The bridge near my home was tainted with blood and dead bodies were scattered on the roads, in the ditches and in the septic tanks,” Zhou recalled.

“Judging from their clothes, most of them were civilians,” he added.

Litany of atrocities

On December 13, 1937, the Japanese army invaded Nanjing, the then capital of the Kuomintang government, and committed a litany of atrocities against innocent civilians, including mass execution, rape, looting and burning.

Around 300,000 Chinese were killed and many others were abused by Japanese troops after they captured the city.

“The chronicle of humankind’s cruelty is a long and sorry tale. But if it is true that even in such horror tales there are degrees of ruthlessness, then few atrocities can compare in intensity and scale to the rape of Nanjing during World War II.”

So wrote the late Chinese-American author Iris Chang in the introduction to her 1997 book”The Rape of Nanking: The Forgotten Holocaust of World War II.”

Besides drawing international attention to a story that has long been a bruise on China’s national psyche, Chang added immensely to the overall body of research about the Nanjing Massacre.

She uncovered the historically invaluable 2,000-page diary of German John Rabe, who saved tens of thousands of Chinese from slaughter by creating a Nanjing safety zone marshaled by the city’s then-few expatriates.

In her book, Chang wrote:”My greatest hope is that this book will inspire other authors and historians to investigate the stories of the survivors before the last of the voices from the past, dwindling in number every year, are extinguished forever.”

Li Xiuying, a survivor of the Nanjing Massacre, died of respiratory failure at the age of 86 on December 4.

Li made her name known throughout China for her courage and perseverance in standing up to battle an anti-defamation lawsuit against Matsumura Toshio, a right-wing Japanese writer, who called her a”false” witness of the war in his book”The Big Question in the Nanjing Massacre.”

She won the case in April last year.

During the days of the Rape of Nanjing, Li was pregnant and was stabbed 37 times by Japanese soldiers. Thanks to timely medical treatment from an American doctor named Robert Wilson, Li survived. But she lost her baby.

It is impossible to keep a detailed account of all of the crimes committed by Japanese troops during World War II.

However, from the scale and the nature of these crimes as documented by survivors and the diaries of Japanese militarists, the chilling evidence of this historical tragedy is indisputable.

However, the trends of Japanese government’s treatment of this dark period of history have ranged from total cover-up, denial of the extent of the Nanjing Massacre, to official distortion and rewriting of history with the most extreme being the total denial of the Nanjing Massacre by Japanese government officials.

“My mother left the world with deep regret since her wishes to seek justice from the Japanese Government failed to become a reality,” said Lu Yongsen, Li’s eldest son.

“As a witness of the massacre, she had been fighting to reveal the truth of the history. Her influence will last, I believe,” Lu said.

Like Li, most of the survivors of Nanjing Massacre are in their 80s, with the youngest at 70, says a report by China Central Television(CCTV).

According to a survey conducted by volunteers in Nanjing, in 1984, the number of survivors of the massacre was about 1,700 with less than 400 living today.

“It has become an urgent task for us to find more eyewitnesses and retrieve the material evidence of the tragic history,” said Ma Ji, spokesperson of the Forced Chinese Labourers’ Association.

Great difficulties

The Nanjing Massacre is one among a number of atrocities committed by Japanese troops after invading China.

The victims were also numerous”comfort women,” forced labourers and those killed by notorious germ warfare and chemical weapons.

Ma’s father, a victim of Japanese militarism, was forcibly taken to Japan to work as a slave labourer.

A hit TV series titled”Evidence of the Memory” that is being shown on the national China Central Television(CCTV) brought out the agonizing recollections of the 82-year-old.”The story, which depicts the sufferings of a large number of Chinese after they were forced to work as slave labourers in Japan during World War II, is a reflection of my father’s painful experience,” Ma said.

About 40,000 Chinese were forced to work in coal mines, on railways and other sites in Japan during the 1937-45 period.

Since 1995, the Chinese victims of Japanese troops in World War II and their relatives have lodged lawsuits against the Japanese Government and concerned enterprises and organizations, demanding an apology and compensation for their suffering.

However, most of their appeals were rejected by Japanese courts on the grounds that the statute of limitations for seeking redress under the civil code is 20 years, although some courts acknowledged the historical facts of the period.

“The lawsuit will be lengthy and tough considering the Japanese Government’s stubborn attitude towards historical fact,” said Kang Jian, a Chinese lawyer representing forced labourers and comfort women.

Now that the number of witnesses is dwindling, she worries the lawsuit will become more difficult.

Like Kang, many Chinese lawyers and people from non-governmental organizations are helping victims seek justice, despite setbacks.

They include Wang Xuan- a lawyer representing Chinese mustard gas victims suing for compensations and an apology from the Japanese Government- and Su Xiangxiang, who began providing legal assistance in 1995 to people suffering various afflictions after being exposed to chemical weapons the Japanese army left in China.

It is noted that an increasing number of Japanese lawyers and civilians are also lending a hand to the endeavours by offering legal services or donations.

Among them are 69-year-old lawyer Toru Takasaki and 57-year-old Nakamura Yojiro as well as a retired middle-school teacher Takayama Hiromu, 63.

“We hope militarism doesn’t resurface in Japan since right-wing attitudes tend to prevail in our society nowadays,” Takasaki told China Daily when he visited China in April.

He said conservative forces in Japanese politics cover up the truth of wartime atrocities, which leaves the Japanese people with a distorted understanding of history from their textbooks.

“Most Japanese people know little about slave labourers, comfort women or the Nanjing Massacre and they don’t understand the damage that Japanese militarism wrought on Chinese, Korean and people in other Asian countries during World War II,” Takasaki said.

Besides the decreasing number of eyewitnesses of the tragedy, both Chinese and Japanese lawyers participating the lawsuits face difficulties in the lack of government support.

“Although the Chinese Government gave up its quest for State compensation from the Japanese Government in 1978 for the betterment of diplomatic relations, victims of Japanese troops in World War II have a right to civil compensation from the Japanese Government,” Kang said.

Kang flew to Japan yesterday to represent four Chinese women who were reduced to comfort women during World War II at Tokyo High Court, where the second trial of the lawsuit will be ruled today.

“I’m not optimistic about the result but I will persist in my effort to help the victims,” Kang said.

Int’l optics congress to be held in Changchun

Tuesday, November 24th, 2009

The 20th Congress of the International Commission for Optics(ICO20) will be held in Changchun, capital of northeast China’s Jilin Province, in August this year, organizers said Thursday.

The event will last from Aug. 21 to 26.

About 1,000 scientists from 48 countries are expected to attend the congress to present their researches and share their views on the development of optics technology, said Xuan Ming, executive president of ICO20 and director of the Changchun Institute of Optics Fine Mechanics and Physics under the Chinese Academy of Sciences.

Some winners of the Nobel Prize, ICO Galileo Awards and ICO Prize will give lectures during the congress, Xuan said.

The International Commission for Optics was founded in 1947. The congress is held every three years. China, which joined the commission in 1987, is the first developing country to host the congress, and the third Asian country after Japan and ROK.

Changchun is regarded as the cradle of China’s optics research and industry, which has witnessed the birth of the country’s firstoptic mechanics research institute, the first optic apparatus museum and the first optic glass.

An optoelectronic exposition will also be held during the congress.

Liuxuan eyes entertainment scene

Monday, November 23rd, 2009

Former Olympic gymnast Liu Xuan has signed with Li Ning Company to start a new career as an actress.

Former Olympic gymnast Liu Xuan has signed with Li Ning Company to start a new career as an actress.

Since retiring from the sport at the age of 23, Liu Xuan has been studying journalism at Peking University and she will graduate in October this year.

She was part of the National Women’s Gymnastics Team during the 1990s and won a gold medal for balance beam at the Sydney Olympics in 2000.

Liu says she wants to change her career to because of the many entertainment opportunities opening up in Hong Kong and the mainland. She already has experience of shooting a film, a TV drama and being a TV host.

China, Vietnam sign MOU on supervision of securities, futures

Saturday, November 21st, 2009

China and Vietnam have signed a memorandum of understanding on cooperation in supervision of securities and futures markets, the China Securities Regulatory Commission(CSRC) said Thursday.

The document was signed Tuesday by Shang Fulin, CSRC chairman, and his Vietnamese counterpart Tran Xuan Ha, according to a pressrelease issued by the CSRC.

The CSRC said the two countries will improve their cooperation in supervision and exchange of information in a bid to facilitate the healthy development of their capital markets.

So far, China has signed such memos with the securities and futures supervision authorities of 26 countries and regions. These countries and regions include the United States, the Republic of Korea, Japan and several countries in Europe and Southeast Asia.

Plaintiff group submits appeal to supreme court of Japan

Wednesday, November 18th, 2009

Chinese plaintiff group submitted appeal to the Supreme Court of Japan Wednesday, and the appeal was accepted by the court, said Louxian, a member of the group.

The Tokyo High Court ignored Chinese plaintiffs’ second appeal concerning germ war Tuesday.

“We will persevere our demand for justice and dignity and hold on the lawsuits,” said Wang Xuan, the plaintiff group leader.

The Chinese plaintiffs have lost all their lawsuits in various levels of Japan’s courts from this March to April including the appeals concerning the comfort women, the compensation to Chinese warfare victims and the human experiments of the notorious Unit 731.

In 1939, Japan’s Unit 731 of the Kwantung Army set up a top-secret, germ-warfare research base in what is today’s Pingfang district of Harbin City. The army’s medical officers experimented on Chinese civilians, and Soviet, Korean, British and other prisoners.

At the experimental base, some people were forced to be frozen or infected with bubonic plague, others were injected with syphilis virus and many were roasted alive in furnaces. It is saidmore than 200,000 people were killed or injured in the germ warfare launched by Japan.

When the Soviet army took back Harbin in 1945, the Japanese blew up the base. The secret could have remained buried forever, but a tenacious Japanese journalist dragged out the truth in the 1980s.

“Super Voice Girls” challenges China’s TV culture

Monday, November 16th, 2009

With the rather strange title “Mongolian Cow Sour Yogurt Super Girl Contest”, a televised singing show has recently sparked a nationwide mania.

“Super Girls makes a grand party for all the participants, who are ordinary people, to sing and experience the charms of TV,” said Li Li, representing the organizer, the state-owned Hunan province satellite television station.

In 1997, it become famous for creating a game show involving pop stars, which soon spread across televisions throughout the country.

In 2004, it came up with the new “Super Girls” show, which is said to be inspired by the US show “American Idol.” The programme attained giant success and influence this year.

Entertaining business

Covering five provinces in China, including Hunan, Sichuan, Guangdong, Henan and Zhejiang, Super Girls has attracted more than 120,000 young women participants to the capital cities of these five provinces for preliminary selections.

Many of them wait in long lines for a whole day before registration and some even skipped school to enter the contest, which promises TV success for the lucky few.

An elimination contest procedure has been adopted for Super Girls and five rounds of regional competitions have been broadcast every week, drawing the sustained attention and exceeding expectations of viewers, since the series started in March.

What makes Super Girls particularly popular is that nearly half of the applicants have the chance to present a 30-second TV spot individually — the TV debut for most of them.

A show of this kind is called a “Hai Xuan” by the organizer, meaning an especially wide selection of applicants and now a fashionable expression.

“It is extremely interesting,” said a 26 year-old viewer named He Xiaoyue. “You never know who will be the next player or what he or she will do. It is just like a varied box of chocolates.”

“It has turned into a reflection of reality and the situation of ordinary people, which proves emotionally satisfying for viewers,” said Yu Hai, a sociologist working in Shanghai.

By last weekend, eight “super girls” had emerged, out of the 10 candidates in the national contest.

“According to CVSC-Sofres Media, the audience rating for Super Girls has reached 8 per cent in the country, ranking second or third at its broadcast time,” said Li. This viewing rate is regarded as an unprecedented success for a provincial television station. This record may be reached again when the national final approaches in late August, involving the top three contestants.

In addition, the combination of television and mobile phones has proven to be a winning element of Super Girls.

The producer says the final ranking of the singers depends on the text messages sent in by viewers. This has become a common way for audiences to participate in Chinese TV shows.

In the Chengdu competition alone, the best three singers received a total of 307,071 message votes, each costing from 0.5 yuan to 3 yuan. According to the 21st Business Herald, income from message charges may account for 30 to 50 per cent of the total profits of the TV programme, even after a 15 per cent cut for the telecom suppliers is removed.

This guess was later denied by Wang Peng, board chairman of Tianyu Media, which handles the “Super Girls” brand under Hunan province satellite television. He said the show’s income mainly comes from sponsors and advertisements.

“What we are paying more attention to is how to develop the brand. Someone told me the ‘Super Girls’ brand is now worth several hundred million yuan,” he said.

Almost famous

The show proves the emerging new media age makes instant fame possible, just as Andy Warhol predicted: “In the future, everyone will be world famous for 15 minutes.”

“I will strive to get on TV, even to death,” said one girl named Zhou Ting from Sichuan Province when she joined in the Super Girls’ group. Like Zhou, a large number of Chinese girls dream of becoming pop stars through TV shows, with their first step being the Super Girls.

Zhang Hanyun, a 16-year-old student who finished third in last year’s national series has recently released her first album. Appearing frequently in print media and TV commercials as an endearing girl, she said she had wanted to become a star since childhood, although now she complained about the difficulty involved in losing weight.

More “Super Girls” have emerged since, with their excellent singing skills receiving wide recognition from the show’s young audience. “The long series of contests feels like a TV play that you can’t bear to miss, especially when your favourite singer is on,” said He, a fan of the show. “Some of them are really cool and brilliant in the show. It is unbelievable that previously they were as ordinary as me.”

Liu Zhiyi, a Chinese student now living in Germany said he downloads Super Girls shows every week from the Internet. “The Chinese people used to put more emphasis on collectivism in the past, but this contest offers young people an opportunity to reveal their personalities and realize their own values,” he said.

So far, nearly all the finalists in the national contest have been interviewed by the press, or invited to engage in online chat with their fans. Television has rapidly equipped them with the manner of true stars and driven hundred of thousands of people crazy for them.

“What’s more, the judges in the contest talk more freely and bluntly, quite different from those in formal competitions,” said Fan Ning, another viewer. It seems that the “Super Girls” themselves are not the only stars — they are accompanied by a team of judges comprised of pop singers, critics and programme designers who have also won fame for their styles of commentary.

“I scold those girls who want to become celebrities but have no chance of doing so, in the hope of driving them back to school,” said Xia Qing, one of the judges and show producers. Ke Yimin, a pop singer from Taiwan, has even been opposed by many viewers after criticizing their favourite singer.

“Actually, judges are also performers, to some extent,” said Wang Peng, “The shows are more attractive because of the conflicts they involve.”

A master painter’s homecoming exhibition

Sunday, November 15th, 2009

“I come from the East China.

I am making a living in the West America.

With an Eastern mind:

Peace, freedom, harmony, tranquillity, joy, humility…

I paint.

Heaven, Earth

Creativity grows.

Time, life inspiration flows.

Look, feel I reflect

Subjectively, objectively

Form, formless

I myself, no-self…

I paint.

Un-building

Re-building

Ever-building…

On and on

In Man’s garden

I paint.”

Half a century ago, a Chinese artist wrote down the above lines in New York when looking into the future.

Now, a retrospective exhibition, the largest ever and possibly the last, is being held in his motherland to mark his 70-year artistic career.

However, Chen Chi(1912-2005), a master painter of watercolours, passed away on August 4 in Shanghai, only days before the exhibition’s opening at the National Art Museum of China in Beijing.

“He(Chen) had been busy preparing this exhibition for months. He put his heart into it,” said Tao Rongqing, the chief organizer for the exhibition.

“Spending most of his life abroad, he was planning to come back and live the rest of his life in China. But he did not make it,” Tao said.

Presenting at least 100 of Chen’s selected sketches, ink paintings, and watercolours, the Beijing exhibition is jointly sponsored by the museum and the local government of Wuxi, East China’s Jiangsu Province, Chen’s home city.

“Chen is gone. But he will always be remembered as a master of watercolour paintings, and a great innovator whose art bridges the East and the West,” said Liu Dawei, vice-chairman of Chinese Artists Association.

Chen Chi was born in 1912 in Wuxi, a small city, to the northwest of Shanghai.

In Wuxi, Chen received education in traditional Chinese literature, history and philosophy and the basics of the traditional Chinese painting from a local high school.

Due to his father’s financial difficulties in the silk business, in 1926, Chen Chi moved to Shanghai where he was employed in an oil pressing factory.

The owner of the factory, having children of the same age, allowed Chen Chi to attend their classes.

In 1931, Chen enrolled in an art school that emphasized Western techniques rather than traditional Chinese painting, where he became a member of the White Swan Society, a salon for young enthusiasts of Western paintings.

A man with a passion for art and sympathy for underprivileged people, Chen created a series of paintings, such as”"Beggar,”"Rice Vendors,” and”The Good Earth,” depicting average Chinese who were suffering from wars and poverty in the 1930s and 1940s.

Dramatic social changes such as the opening of China to the West, which had begun in the 19th century, the downfall of the Qing Dynasty(1644-1911) and establishment of the republic in 1912, and the May Fourth movement in 1919, also heightened his awareness of Western ideas and artistic trends.

Recalling his early training, Chen once said:”We were wanting a more modern style of painting There was already this direction in the modern cultural movement. And with art, we did not want to go back to the Chinese traditional style, although we had such a strong tradition of it…

“I belonged to the younger generation, and we wanted…the modern style.”

But Chen tried to find his own way, combining Chinese elements such as the xuan paper, traditional Chinese brushwork and compositional concepts, with the Western influences of Impressionism and Post Impressionism.

At 28, Chen stunned the art circles in Shanghai with his watercolour works in annual art exhibitions in Shanghai.

Between 1942 and 1946, Chen taught art at the St.John’s University School of Architecture in Shanghai.

TV drama Phantom Lover hits screens

Friday, November 13th, 2009

The 30-episode classic drama, Phantom Lover, starring Chinese mainland actor Huang Lei, Taiwan stars Barbie Hsu and Peter Ho, will hit BTV-4 Friday.

A meet-the-press conference was held on Monday and all casts and crews of TV plays, including the former Balance Beam Olympic Champion, Liu Xuan, appeared and teamed up to promote the love story.

The classic film has been moved to the big screen three times since 1937, but this is the first time it has been adapted into a TV series.

Chinese mainland star Huang Lei is both the director and leading actor in the TV drama.

The 1995 film version of Phantom Lover, starring late Hong Kong veteran Lesie Cheung, won high acclaim in China.

Vietnam to facilitate equitization of large SOEs

Wednesday, November 11th, 2009

Vietnam will take more measures to accelerate equitization of state-owned enterprises(SOEs), especially large-scale ones, local newspaper Vietnam Economic Times Wednesday quoted a local senior official as saying.

The country will speed up equitization of large state corporations, including those operating in some important fields, by offering shares to institutional investors, and encourage the equitized corporations to be listed in the local stock market, Vice Industry Minister Bui Xuan Khu said.

Besides SOEs in the production sector, the state should equitize large businesses in trading and service sectors, and sell stakes it retains in equitized state enterprises, which either have small capital or operate in fields of less importance, Khu said.

Many equitized SOEs operate in such fields as garment, textile, footwear and plastics with capital of below 5 billion Vietnamese dong(314,500 U.S. dollars) each, he said. The state will hold 51 percent of the stake in a large number of equitized firms, he noted.

By the end of 2005, Vietnam had equitized 2,900 SOEs, including 2,600 whole companies and 300 affiliates of firms, most of them operate better after equitization, according to the country’s National Steering Committee for Enterprise Reform and Development.